PRINTABLE VERSION HERE

Check out the photos of New Jersey Malls here

Ah, New Jersey—the land of reality stars, endless highways, and the eternal debate over whether Central Jersey exists. But beyond the clichés of big hair, bad drivers, and diners on every corner lies a state where malls are not just shopping destinations but cultural landmarks. One of the smallest states in the country, it is also the most densely populated (410 inhabitants per sq km), logically leading to a high concentration of retail centres, which explains why New Jersey has long been known as the "Mall State".

Two modern retail and entertainment icons stand out: the American Dream Mall in East Rutherford and the Westfield Garden State Plaza in Paramus. Both destinations showcase the evolution of U.S. shopping malls and highlight the unique character of New Jersey's retail landscape.

The American Dream Mall, a sprawling 278,000 sqm complex, redefines the mall concept by blending retail with world-class entertainment. From an indoor ski slope and water park to luxury shopping, including a Saks Fifth Avenue branch, and family attractions, it offers an immersive experience that caters to visitors of all ages. Meanwhile, the Garden State Plaza, New Jersey’s first major shopping centre, has remained a cornerstone of the state’s retail scene since its opening in 1957. Constantly reinventing itself with high-end stores and modern amenities, it exemplifies resilience and innovation in changing consumer habits. It also houses three department stores, Macy’s, Neiman Marcus and Nordstrom, all very differently positioned.

These two malls represent different facets of New Jersey’s mall culture: a futuristic entertainment hub and a timeless retail institution. Together, they provide a glimpse into why New Jersey remains central in shaping the mall experience in America. The IADS visited both last January.

Westfield Garden State Plaza: history and context of a Jersey old lady

Westfield Garden State Plaza, situated at the junction of Routes 4 and 17 in Paramus NJ, just 15 miles west of Manhattan, is a landmark in American retail history. Originally adjacent to a 1930s-era drive-in theatre and known when it opened in 1957 as the Garden State Plaza, the site became one of the most significant shopping centres in the U.S.

In the early 1950s, discussions between Allied Stores and Macy's about a joint project on the site were abandoned, leading Allied Stores to develop the Bergen Mall nearby (now the Bergen Town Center). Meanwhile, R.H. Macy & Co. announced plans for Garden State Plaza in 1954, establishing a subsidiary to own and operate the property. By 1955, JCPenney committed to a 7,700-square-meter standalone building.

The open-air shopping plaza cost $26m ($291m in 2024 dollars). It was New Jersey’s first suburban mall, drawing 75,000 shoppers when it opened on May 1, 1957, featuring a 31,500-square-meter Bamberger's department store (a company created in 1892, sold to Macy’s in 1929, and renamed in 1986) and 60 other retail stores. The mall quickly expanded its offerings, adding Russeks in 1957, Gimbels and JCPenney in 1958. These additions solidified the mall's status as the largest shopping centre globally and attracted shoppers from New York due to New Jersey's lower sales taxes and exemptions on clothing.

In 1975, the mall embarked on a project to enclose its open-air design due to competition from newer malls. It added 37,000 square meters of retail space, followed by new retail floors between 1981 and 1984. Westfield Group acquired the mall in 1986 and launched the development of an "entertainment lifestyle precinct" featuring an AMC theatre and speciality retail stores in the early 2000s, and a "fashion district" in 2014.

Regarding tenants, in 1990, Nordstrom had opened a store on Gimbel’s former site (closed in 1987), followed by Lord & Taylor in 1991 (which closed in 2020). An expansion in 1996 introduced Neiman Marcus and a remodeled JCPenney, alongside new parking structures and a Venetian carousel.

Today, Westfield Garden State Plaza is the 16th-largest shopping mall in the US, with 196,800 square meters of leasable space. It is home to over 300 stores and is considered a “super-regional mall.” It offers valet parking, currency exchange, guest lounges, and diverse dining options. Its retail mix effectively combines upscale brands with initiatives supporting local and minority-owned businesses through flexible leasing programs.

The mall benefits from a high-income catchment area with over 2.1 million people residing within a 10-mile radius. Despite restrictive ‘blue laws’ limiting Sunday retail operations to 6 hours (vs. 11 hours the rest of the week), the city of Paramus generates over $6 billion annually in retail sales, more than any other ZIP code in the U.S., and sales per square meter consistently exceed national averages, thanks to its four anchors, Macy's, Nordstrom, Neiman Marcus, and AMC Theatres. The area's strong schools, low taxes, and vibrant commercial scene contribute to its economic vitality.

Visiting the Garden State Plaza

The first feeling when entering the mall is that, while it is spread in terms of surface, it is not impressive, especially when arriving from the car park. It directly leads to the mall’s ground floor, which is zoned paradoxically: while luxury brands are located on this floor in the “luxury zone”, the way brands are distributed in the rest of the mall suggests that the “étage noble”i  is the first floor, where the most attractive non-luxury brands (from Apple to H&M, Lululemon, Sephora or AMC Theatres) are located. All three department stores are spread vertically, including on a top floor that is specific to them, not a mall floor.

The mall is structured as follows:

• The luxury zone, where Neiman Marcus is, includes Louis Vuitton, Gucci, Tiffany & Co., Burberry, and Versace on the ground floor and Tory Burch and Michael Kors on the first floor.
• The “fashion district” is more budget-oriented on the ground floor, with the likes of Old Navy, Pink, Express Men, and PacSun, and aims to bring more inspiration to customers on the first floor, with Skims, Banana Republic (an old concept), Zara, Hollister, Gap, J. Crew, Sephora, or Abercombie & Fitch. Not far from these brands, Apple, Tesla, and Yeti (a recent addition) reflect the mall's focus on innovation and first-to-market concepts.
• Restaurants are strategically located, with fast-food options on the ground floor (Chick-fil-A, McDonalds…, etc.) and family-oriented or higher-positioned options on the top floor (Fogo de Chao, Grand Lux Café, Eddie V…, etc.), mostly between the AMC theatre and Macy’s.

The sections feel overly segmented; for example, luxury shoppers may not venture into mid-tier zones, limiting cross-category spending. Also, the mall's vast horizontal size can make navigation overwhelming: while natural light-filled glass entrances create a welcoming first impression, the sheer scale of the mall can lead to "decision fatigue," especially for new visitors unfamiliar with its layout.

Nordstrom: forget about the City’s glitz & pizzaz, go for functionality

Nordstrom presents an understated shopping environment, characterised by a moderate size compared to its competitors (due to the ceiling height and its structure, it feels smaller than Neiman Marcus, which is the smallest of all three). Its main entrance is adjacent to Intimissimi and Zara on the ground floor and luxury lingerie brand Honey Birdette and Laderäch Swiss chocolates on the first floor (two rather surprising adjacencies).

Ground floor: upon entering, shoppers are greeted by a welcoming bar area, setting a relaxed tone for their visit. The ground floor is a substantial open space dedicated to women's fashion, shoes, and children's apparel. Despite the ample space, the section between escalators to the first floor feels notably sparse, lacking decorative elements or thematic staging.

Sale signage was ubiquitous (the visit was in mid-January 2025): discounted items occupied almost a third of the floor space. The click-and-collect order pickup area is straightforward and highly visible, eschewing any elaborate concealment or branding. The design is fundamentally basic, with a uniform concept across the floor (no shop-in-shops) and minimal peripheral branding or signage.

First floor: it houses an array of shoes, cosmetics, accessories, and men's fashion. While the presentation is consistent, certain shoe brands are afforded a semblance of luxury, elevating their display. Cosmetics are organised into branded corners, allowing for targeted browsing, while designer handbags receive special attention, enhancing their appeal.

Accessories and shoes benefit from a more thoughtful presentation than the somewhat flat approach to men's fashion, which lacks vibrancy. During the visit, the visual merchandising team worked on the floor displays and ironed garments while shoppers were there.

Second floor: The second floor is dedicated to elevated women's ready-to-wear (WRTW), evening attire, activewear, and lingerie. The only brands made highly visible are Skims, Nike, and women’s fashion brand House of CB.

Overall, Nordstrom effectively leverages its space, offering a straightforward yet functional shopping experience. While the store lacks dramatic staging or decor, its layout facilitates easy navigation and access to diverse product categories. The focus on simplicity and functionality, complemented by select displays of luxury, makes the store accessible but somewhat surprising for anyone used to the sophistication of the New York stores.

Macy’s: the oldest store in the mall shows its age

Macy's, the oldest department store in the mall, is also the largest, divided into three floors of unequal sizes. Foot Locker and men’s suits brand Indochino flank the entrances on the ground floor, and Sephora and jewelry brand Gorjana on the first floor.

The ground floor is divided into several distinct zones, which can be a bit confusing. The children's section is notably integrated with Toys "R" Us, offering a separate RTW space dedicated to children's products up to age 20. Despite its broad range, this area lacks inspirational design elements and presents a straightforward, functional layout.

Adjacent to this is the home section, which straightforwardly presents its kitchenware, unlike the more typically staged displays. Though vast, the bedding area lacks character and offers a very sanitised shopping experience. A notable feature is the expansive coat and swim section, positioned past the bedding area.

A seasonal promotion space provides direct access to the main shopping corridor, ensuring high visibility for featured products.

The first floor houses an extensive cosmetics section, arranged in an atrium at the entrance, alongside a seemingly endless men's department. The layout here is more segmented, with specific areas dedicated to various product categories, including accessories, sportswear, and women’s shoes. Despite the abundance of products, the sheer volume can make it challenging for shoppers to locate specific items easily, compounded by frequent promotions and sales.

Certain brands like Boss, Levi’s, and Nike enjoy prominent wall displays within the men's section, while others are presented more generically. The ambiance is characterised by wooden flooring and focused lighting on lower ceilings, providing a distinct shopping atmosphere. Customer interaction is encouraged through technology, offering incentives for scanning customer reviews to make informed purchasing decisions. However, there is no specific merchandising around these devices to promote cross-shopping.

The second floor is dedicated to women's fashion, where organisation by brand is more pronounced than in the men's section. Despite visible brands, the floor suffers from a ceiling in disrepair, which detracts from the overall aesthetic.

This level features a substantial plus-size section, positioned across from a petite section, catering to a wide range of body types. Brands like Anne Klein and Karl Lagerfeld are prominently displayed as shoppers arrive via escalator, alongside Macy's proprietary brands like INC and On 34th Street.

Overall, the store targets too many customers simultaneously, reflected in the complex mix of abundant product offerings and overwhelming store layout. Also, despite technology-driven initiatives aiming to facilitate a seamless shopping experience, the store feels old, with spacious yet occasionally uninspired areas and some parts that would benefit from a refresh.

Neiman Marcus: a stark and seemingly effortless contrast with its competitors 

Compared to its two competitors and considering the neighborhood, the Neiman Marcus store most closely resembles a larger flagship typically found in central urban areas—one where tourists would likely feel at ease. It also appears the least “suburban,” thanks to its refined and sophisticated atmosphere.

Its entrance, in the luxury section of the mall, feels less cluttered than its competitors', thanks to an ideal location under a glass ceiling, in front of an atrium flanked by Tiffany’s & Co., Louis Vuitton, a Chanel store being refurbished at the time of visit, Gucci and Ferragamo just in front on the ground floor, and Tory Burch and Kate Spade on the first floor.

The ground floor sets the tone: the execution of the luxury concept is evident in the selection of brands and the meticulous attention to detail in their presentation. The cosmetics section, though relatively small compared to other areas, is nestled amidst high-end women's handbag brands such as Bottega Veneta, Chanel, and Loewe, creating a refined atmosphere. This section is positioned next to men's shoes and RTW collections.

Ascending to the first floor, shoppers are greeted with an elevated sense of style, focusing on women's designer fashion and jewelry. Carpeting defines these areas, offering a warm and inviting atmosphere that contrasts with the more utilitarian spaces of other department stores, such as Macy's.

The second floor caters to children and luxury fashion, featuring brands like Chanel and Moncler. Dedicated corners for each brand, such as Balenciaga and Casablanca close to Loewe, create distinct shopping zones that highlight the exclusivity and prestige of each label. The home section is cleverly integrated with children's offerings and conveniently located near a restaurant, the Rotunda, providing a pleasant and relaxing shopping environment for families, particularly appealing to women.

Overall, the thoughtful arrangement and execution of luxury at Neiman Marcus reflect a commitment to providing an upscale, cohesive shopping experience. The strategic placement of high-end brands alongside essential services ensures that the mall meets the diverse needs of its clientele, maintaining its status as a premier destination for luxury shopping.

The American Dream Mall: the cool new kid on the block

Located in East Rutherford, the American Dream is the second-largest mall in the U.S., surpassed only by the Mall of America. Its history has been shaky: everything began in 2003, under the name Meadowlands Xanadu, proposed by the Mills Corporation. Construction kicked off in 2004, but the project quickly encountered significant challenges. By 2007, Colony Capital had taken over, only to be stymied by the 2009 bankruptcy of Lehman Brothers, halting construction even though the project was leased at 70%. The Triple Five Group, the Mall of America’s developer, expressed its intent to take control in 2011, officially acquiring the mall and its surrounding site two years later. Yet, progress remained elusive, with construction ceasing again in 2016 due to financial and legal complications.

Construction didn't resume until 2017, thanks to the injection of $1.67bn in the project, even though it experienced a series of "chronically delayed" openings. The initial building phases finally opened in 2019, with the Nickelodeon Universe theme park (the largest indoor theme park in North America) and the Big Snow American Dream indoor ski slope (the first of its kind in North America), only to be closed in March 2020 due to the COVID-19 pandemic, just as it was poised for a broader unveiling, including the DreamWorks Water Park (the world’s largest indoor wave pool). It took seven months, in October 2020, for the mall to fully reopen and unveil its newest attractions. By 2021, the complex had introduced several new attractions, including Sea Life Aquarium, Legoland Discovery Center, and The Avenue luxury wing. Despite these expansions, financial challenges continued, with reported losses due to the pandemic, the local “blue laws” related to opening hours during the weekend, bond payments, and other setbacks.

Nowadays, the mall has an occupancy rate above 80% and hosts approximately 450 retail tenants, offering everything from high-end retail to innovative entertainment experiences. Approximately 55% of the space is dedicated to attractions, designed to make the most of the catchment area (and generate additional revenue) characterised by:

• A densely populated region with affluent households in northern New Jersey.
• Access to over 65 million annual visitors to the tri-state area.
• An estimated annual footfall of 40 million visitors, with half projected to be tourists interested in the unique experiences.

However, the financial strain from delayed openings, debt obligations, and high operational costs contribute to skepticism regarding its profitability. This skepticism is also based on its power to attract Manhattan residents (VIP amenities include helipad access for affluent customers traveling from Manhattan or the Hamptons) while the luxury shopping options it offers already exist locally. Also, critics raised the issue that the retail offerings might be underwhelming compared to the entertainment options, and the same goes for the dining options.

Finally, the mall is just under 20 minutes by car from Garden State Plaza.

Visiting the American Dream Mall

Spanning three levels, the American Dream Mall emphasises a horizontal layout over verticality, allowing for expansive floor space dedicated to its myriad attractions and retail offerings. But international visitors beware: the experience can be underwhelming when comparing the mall to international references, such as The Dubai Mall or malls in Asia, even though the American Dream claims to compete with them in terms of surface and array of experiences. While the sheer scale of the mall can make navigation confusing for first-time visitors despite signage, some areas feel disconnected due to stark contrasts in design or audience focus (e.g., luxury vs mass-market zones).

The mall emphasises experience, which is central to its appeal. It differentiates from the Garden State Plaza with unique experiences that seek to go beyond traditional shopping. Despite the ongoing presence of hoardings indicating areas under development or renovation, the mall remains a dynamic and engaging environment for visitors. The luxury wing, "The Avenue," features stores designed to evoke an open-air shopping experience, providing a fresh and upscale environment that contrasts with the much more conventional Garden State Plaza.

In addition, there are some details that give a unique flavor to this mall: for instance, with Tesla charging stations conveniently located in its parking areas, the mall caters to the needs of eco-conscious visitors while enhancing the overall accessibility and convenience for shoppers.

Visiting Saks Fifth Avenue

The Avenue, the luxury segment of the American Dream Mall, aims to offer shoppers an elevated retail experience reminiscent of open-air shopping streets. The design is ambitious, and branded stores, such as the Saint Laurent or the Hermès ones, are truly spectacular, to the point of making the Saks Fifth Avenue anchor almost invisible.

The department store is situated at the far end, making it less visible and accessible to casual visitors, and spans two floors.

The first floor is dedicated to men's and children's fashion and also features a gallery and a café that remained unopened at the time of visit (January 25). Despite its aesthetic appeal, the space lacked foot traffic and engagement, with entire sections remaining unlit and devoid of greeters, contributing to a sense of emptiness.

The Saks Club and a small lingerie section are present, but their placement feels inconsistent with the overall design, creating a disjointed shopping experience.

The ground floor offers women's RTW, cosmetics, shoes, and accessories. The cosmetics section, centrally located with various stands, disrupts the visual flow, while the periphery hosts luxury leather goods, including Louis Vuitton and Saint Laurent. The latter has a prominent double-decker store opposite the main area, which raises questions about the brand saturation in the mall.

Despite these high-end offerings, the ground floor was noticeably deserted when visited. Cash registers are tucked away in corners, making them difficult for shoppers to locate. Eyewear stands are flashy yet incongruous with the surrounding decor, with flashing lights that clash with the luxury theme.

In fact, lighting is a significant issue, particularly in the RTW section, where poor illumination hampers product visibility. Sale racks are pushed to the back, further diminishing their appeal. The jewelry section, intended to be a highlight, remains mostly empty, lacking the vibrancy one would expect from such a luxurious setting. The absence of visible staff exacerbated the feeling of desolation, leaving shoppers without guidance or assistance.

While The Avenue at American Dream has the infrastructure and branding to direct high-end shoppers towards Saks Fifth Avenue, its execution falls short and feels somewhat disconnected from the grand ambition the mall itself is trying to provide to its visitors.

These two New Jersey malls reveal something far more profound than just retail spaces - they represent a uniquely American contradiction. In a country that birthed modern consumer culture and exported it globally, these suburban retail cathedrals expose a striking disconnect between America's self-perception and the international standard.

The stark contrast between New York City's sophisticated retail environments and these suburban counterparts is jarring. What's particularly remarkable isn't just the quality gap but the American consumer's apparent acceptance of this disparity. While Westfield Garden State Plaza generates over $6 billion in annual sales and boasts impressive statistics, the experience feels outdated, fragmented, and fundamentally utilitarian rather than inspirational.

This phenomenon speaks to a broader cultural characteristic: American suburban retail often prioritises functional consumption over experiential excellence. The emphasis on volume, convenience, and accessibility has created environments that would be considered subpar in many international markets, particularly in Europe and Asia, where retail design has evolved to blend commerce with culture and aesthetics seamlessly.

Even American Dream Mall's attempt to innovate through entertainment-focused retail feels like a compensatory mechanism—an acknowledgment that the traditional American mall needs extraordinary attractions to remain viable in an era when pure shopping no longer suffices. Yet despite its ambitions, it struggles to deliver a cohesive, sophisticated experience.

Perhaps most telling is the Saks Fifth Avenue at American Dream, a luxury retailer whose presentation undermines its premise. The poor lighting, confusing layout, and absence of attentive staff reveal a fundamental misunderstanding of what luxury retail should deliver. It's as if the concept of luxury has been reduced to brand names alone, divorced from the experiential elements that define true luxury elsewhere in the world.

This disconnect reflects America's complex relationship with class, consumption, and identity. In a society that simultaneously celebrates wealth while maintaining an egalitarian self-image, these suburban retail environments embody a peculiar compromise - spaces that offer luxury brands but within environments that remain fundamentally accessible and unpretentious, even when this undermines the very experience they aim to deliver.

For international visitors accustomed to the seamless integration of commerce, culture, and design found in retail destinations worldwide, these New Jersey malls offer a fascinating window into American consumer culture - one that reveals how the birthplace of modern retail has, in many ways, fallen behind the global standards it once established.

Credits: IADS (Selvane Mohandas du Ménil)